When I
started exploring the novel writing world, I was given three pieces of advice: write
what you want; write what you know; write what sells.
I’d
already drafted INCEPTIO, the first of my Roma Nova stories – I’d written what I wanted to write. Bubbling away
in my head for fifteen to twenty years, the characters, their world, and their challenges, begged me to tell their story. The genre? Not a clue. I didn’t realize stories
had to fit into genres. To investigate
these sacred categories I shared my work, I read in writing groups, I asked for
professional advice.
My
books are set in a world where the time line changed; the actions of a group of
dissenting pagan Romans in AD 395 caused history to follow a different path.
Alternative (or alternate) history hovers between speculative
fiction, science fiction, and historical fiction; stories can be brimming with
description of every tiny difference and the causes of difference, follow
historical logic without boring the pants off the reader, be speculative in the
extreme, or even, frankly, completely bonkers.
So, how
to classify INCEPTIO? Perhaps it was science fiction, sub-genre alternate
worlds. But the imaginary country, Roma Nova, was founded by ancient Romans who
adapted their values and systems over sixteen centuries. That made it
historical. The story centred on a killer pursuing the heroine for an unknown
reason. Oh, so it was a thriller? The heroine and hero were attracted to, and
driven crazy by, each other. Ah, a romance! And the heroine overcame loss,
crossed cultures and discovered her core integrity - her true self - so
possibly a “Bildungsroman”? Or perhaps the feminist theme nudged it towards the
literary genre?
In the
end, I settled on “alternate history thriller”; if pushed, I shorten to “thriller”
which is said to be a saleable genre. One London agent who admired my writing said
he would take me on like a shot if I wrote straight thrillers. Flattered, I
explained that my world of Roma Nova was my passion as well as my platform.
Write what you know was not so difficult. I’m a
deep-steeped ‘Roman nut’; I started at eleven, stroking the beautiful mosaic
floors at Ampurias in northern Spain, I’ve found tear glasses at a dig near
Caerleon as a teenage volunteer, I’ve traipsed all over Roman Europe for
decades. And the cross-cultural side? I’m a linguist by trade and have lived,
studied and worked in several different countries. The military chapters weren’t
hard to write either; six years in uniform gifted me this background.
Write what sells. Ah, the hardest piece of
advice to follow. I’m a commercial creature; entrepreneurial genes have
descended through my family with frightening ease. I’ve run businesses, led PR
campaigns, fundraised and administered a charity. Not for me shrinking from
promoting and marketing my work. But the hard-headedness doesn’t extend to
cynical churning out of formulaic crowd-pleasers. Readers are the people we let
into our imaginary world; for me they are the ultimate judges. So far, they’ve
been kind with their reviews and stars, and once having found Roma Nova, they
seem to devour it.
“Alternate
history thriller” presents numerous problems; for the die-hard alternate
historians, there might not be enough deep detail; for fans of thrillers, the
alternate bit might be a distraction; for romance readers, the relationship may
not have enough frisson and emotional tension. But like any engaging story, the
Roma Nova books are essentially about the people in that world, their concerns
and their attempts to make their way through the challenges facing them.
I firmly believe you should write what you want to write, what inspires you and what is buzzing around in your head, even if it's difficult to sell. If I wasn’t passionate about what I write and didn’t want to find out myself what happens and how, I’m positive it would show in the writing. Of course, I want to sell my books. I want to share my stories with people to entertain them, possibly provoke them, but mostly to show them that you can escape for a few hours to an alternative (or should that be alternate?) place.
______________________
Alison Morton writes Roman themed alternate history thrillers. She holds a bachelor’s
degree in French, German and Economics, a masters’ in history and lives in
France with her husband.
A
‘Roman nut’ since age 11, she has visited sites throughout Europe including the
alma mater, Rome. But it was the
mosaics at Ampurias (Spain) that started her wondering what a modern Roman
society would be like if run by women…
INCEPTIO
was shortlisted for the 2013 International Rubery Book Award and awarded a
B.R.A.G. MedallionTM in September 2013.
The next in the series,
PERFIDITAS, was published October 2013.
Alison is working on the third book SUCCESSIO.
___________________
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Hi, nice to meet you, Alison. Rome is intriguing, and I loved seeing the roman ruins beneath Notre Dame. I'm a francophile myself. I'm writing an alternate history as well, set in Paris, so I found your post quite interesting.
ReplyDeleteHi D.G.,
ReplyDeleteRome is fascinating! But so is France which is probably where I live here. ;-)
I first 'met' alternate history in 1993 when I read Robert Harris's Fatherland; the whole world of 'what if' opened up to me. I'd love to hear more about an alternate history in France and will be in the queue to buy it.