Thursday, 27 September 2012

How to Run a Writer's Retreat: Part Three

This is the last of the posts about the Homeric Writers' Retreat & Workshop. If you missed them, here are Part One and Part Two.










Shauna Kelley asked: If you could distill it down to the one most important outcome of the retreat, what would it be?

Hmm ... there were lots of important outcomes, but I guess I would have to say that it was the fact that we were able to educate the attendees in a lot more than just writing. The island is an amazing place, with lots of history and culture, and I think experiencing a Greek island, along with learning about the ins and outs of publishing, was something I would never want to sacrifice. It's ITHACA that made the retreat what it was. Otherwise, why would you come all the way across the other side of the world for writing workshops if there was no opportunity to explore a new place?

Ella asked: How long before everyone was at ease? What was your favorite part?

It didn't take long at all I think. By the time the attendees were in their hotel rooms, settled in, and out to the welcome dinner in Frikes, got a bit of local wine into their bellies, it was smooth sailing from there. My favourite part? Gosh, I was constantly working and running around, I'm not sure I even had time to comprehend what I had organised. Can I say simply the fact that it was successful? I think the favourite part of the attendees, though, was the Stavros Dance Festival. You can read a few testimonials HERE.

Glynis Smy: What would you do differently the next time?

Ah yes, there is always something I would do differently. I'd set the Homer's School Walk for the late afternoon, rather than early in the morning. It got too hot too quickly!

Talli Roland: Did everyone get along? Any salacious gossip?

Ha! Yes, by the looks of it everyone got along really well, so no problems there at all. I was so so pleased with the outcome. People made new friends. Even I made new friends.

Alex J Cavanaugh: What moment was the highlight? At what point did everything just click for all involved?

I think I answered this pretty much for Ella. Definitley the Stavros dance festival. And the welcome dinner was definitely a good idea. Great way to get people talking and become familiar with who they're going to spend their time with. All in all, it was just fabulous.

Interested in attending in 2013? Stay updated via our FACEBOOK PAGE.

Wednesday, 26 September 2012

The Artist Unleashed: LEAVING MY RELIGION, by Sophia L Stone

The Artist Unleashed posts have moved to a new domain. Please click HERE to read the rest of this post and for the opportunity to comment. Just search for the title of the post in the search bar on the new site.

Monday, 24 September 2012

Some common English phrases need a make-over.

I was thinking today about how technological advancement has meant that some common phrases in English no longer make sense.

Such as put one's head down.

We don't really put our heads down anymore though, do we?

They stay up, because we're all looking at computer screens.

I think we should change it to something like put my head forward? Can you think of anything better?

And in this day and age, with social networking and chatting online, a slip of the tongue isn't always relevant either. Perhaps it could be a slip of the pinky or a slip of the digit, you know?

Can you think of any other phrases that need changing? What would you change them to?

Saturday, 22 September 2012

Please add The best of Vine Leaves Literary Journal 2012 on Goodreads!

So after this post, the majority of voters chose black. And it was my first choice, so my instincts were confirmed. This is how the cover ended up with a little input from eMergent Publishing:


And it's now on GOODREADS! Please add it to your TBR list. Not for me, but for this amazing cast of authors who have their wonderful work showcased within. I'm sure you'll recognize a few names ...

A.J. Huffman
Aaron Hughes
Adam Byatt
Adrianne Kalfopoulou
Allen Taft

Allie Marini Batts
Amanda Forbes Silva
Amie McCracken
Amy Saia
Angela Felsted
Anne Whitehouse
Belinda Dorio
Benjamin Nash
Bobbie Troy
Carrie Mumford
Cassandra J. Hubrich
Cath Barton
Chelsey Clammer
ChristinaTang-Bernas
Christopher Lowe
Colleen Wells
Daniel Davis
David Bottoms
Dieter Moitzi
Douglas Riggs
Eleanor Bennett
Elizabeth Varadan
Eric Nguyen
Eyejacker
Francis Raven
Frank Louis Allen
Frank Sloan
Gary Waters
Greg Belliveau
H. Edgar Hix
Hal Sirowitz
Halli Dee Lilburn
Howie Good
Ian Anderson
Isa Lenor
J.R. McRae
Janîce Leotti
Janice Phelps Williams
Jeri Frederickson
Jim Murdoch
Jodi Cleghorn
Joe Dolce
John Biesecker
John Grey
Joyce Goldenstern
Karen Bass
Karina Sims
Karina van Berkum
Kathryn Roberts
Kevin Ridgeway
Kyle Hemmings
Laurel Garver
Lauren Payne
Leah Givens
Lilah Clay
Linda Cassidy Lewis
Lydia Kang
Mark Rosenblum
Mark Tarallo
Mark Van Aken Williams
Matt Hentschel
Matthew MacNish
Melissa Hudler
Melissa Sarno
Merrick W. Allen
Michael Neal Morris
Michael Onofrey
Michelle Davidson Argyle
Misty-Lynn Ellingburg
Monic Ductan
Monica Casper
Monique Hayes
Nicole Ducleroir
Patricia Ranzoni
Paul Cuclis
Pete Madzelan
Rhonda Parrish
Richard Merrill
Rick Sapp
Robert Gambogi
Robert Scotellaro
Ruby Mahoney
Russell Reece
Salena Casha
Scott Russell Morris
Sean L Corbin
Sheila Meltzer
Sheri Larsen
Stacey Larner
Stephanie Thurrott
Stephen Parrish
S. D. Stewart
Susan Gundlach
Susan Azar Porterfield
Tamim Sadikali
Terry Sanville
Theresa Milstein
Tiggy Johnson
Tina Barton
Tom O’Connell
Valentina Cano
Vaughan Chapman
Vicky Ellis
VR Barkowski
William Haas


Thursday, 20 September 2012

Vine Leaves Literary Journal anthology cover options. Help me choose a colour?

So I'm skipping retreat questions again this week because I have something a little more pressing ...

The best of Vine Leaves Literary Journal 2012 anthology.

I can't decide on a colour. Would you like to help me decide? I'm leaning more toward black, but that's because I love black and I always choose black. You should see my wardrobe!

Maybe I should give colour a little more of the limelight for a change.
What do you think?

Black? Blue? Red? Yellow? Or white?








Wednesday, 19 September 2012

The Artist Unleashed: BOXING LESSONS, by Josh Donellan

The Artist Unleashed posts have moved to a new domain. Please click HERE to read the rest of this post and for the opportunity to comment. Just search for the title of the post in the search bar on the new site.

Monday, 17 September 2012

I get "writer's block" when I plot.

I've just discovered this about myself recently. Yes, I know. Isn't it strange?

Three weeks ago I started my third novel. It's technically my fifth, but I'm not counting the first one I digitally burned, or the other one I've started, but put on the sidelines for a while because it was too smart for me.

For the first time in my life, I don't have time to binge-write (allocating large slots of time to write my heart out until I can write no more), so I've been forcing myself to get out at least 500 words, every morning, five days a week. Due to this small goal, I've actually averaged 900 a day, which is pretty damn good considering I have a full time job, Vine Leaves Literary Journal, and a whole bunch of other literary favours I do for people. Oh yeah, and there's my life away from books and music, I always forget that one ...

Anyway, I started this novel on a whim because I really really craved some finger aerobics (they've been losing a lot of muscle tone lately), and I started it without plotting a single thing. All it started with was an idea of two characters.

Once I started writing, it turned into four solid characters, and I also discovered their motives and a basic story line without figuring out exactly what's going to happen any further than two chapters from where I currently write. And you know what I've discovered? This lack of plot keeps me really excited about my story. I want to know what happens next, which makes me want to sit down and write, and that, in turn, motivates me to get up early and write those minimum 500 words before work.

This is great! You know why? Because I haven't written anything on any novel for around 9 months. The novel that is sitting on the sidelines, is FULLY plotted. And once I'd figured out how it was going to progress, my enthusiasm for it died. Completely and utterly deflated like a defective pavlova.

My second novel, Bitter Like Orange Peel, was completely plotted too. And the first draft was torture. TORTURE. It took me more than a year to write those 73,000 words.

I really can't believe I've been doing it wrong all these years and wondering what the heck was wrong with me. Why did it take me so long to finish a novel? Because I was plotting and it destroyed my spark. I guess plotting isn't for me after all.

How about you? Has your writing rhythm changed as you've become more and more experienced, or have you found your comfort zone and are sticking with it?